Aaron and Naomi talk about the classic teen drama Degrassi Junior High (1987-1989) and its immediate sequel, Degrassi High (1989-1991). We discuss the show's fascinating production history, our vivid memories of watching it as kids, and the labour conditions for the actors. We also dig into the details of one of our favourite episodes, "All Nighter," and even re-enact a scene. You won't want to miss Naomi's uncanny Melanie impression!

This is the free 46-minute version of the episode. To access the full 94-minute version, subscribe to the show on Patreon. Patrons gain access to all full-length episodes of Sweater Weather—that's about twice the content!

How Leonard Cohen's life and art was shaped by the Cold War. Plus, the political uses of his most famous song, "Hallelujah."

​Cabins and cottages have come to represent summer in Canada--even though most Canadians spend the summer in hot cities. What does the fascination with cabins and cottages reveal about class, inequality and colonization in Canada?

This episode we welcome Tonya Davidson, a sociologist at Carleton University and co-editor of the essay collection Seasonal Sociology (University of Toronto Press, 2020). We discuss her essay in that book "Summer in Cottage Country." 

I’m joined once again by my friends from the Alberta Advantage podcast: Joël, Clinton and Karen. We conclude our epic discussion of FUBAR, the classic Canadian and Calgarian comedy franchise, by discussing FUBAR II: Balls to the Wall (2010) in which our protagonists, Terry and Dean, head up to Fort McMurray to work in the oil sands, as well as the TV Series FUBAR: Age of Computer (2017), when the boys try to make a go of it in the online economy. The struggles of Terry and Dean as working class men really come to the fore in these latter two installments of FUBAR. 

 This is part 2 of our discussion of the FUBAR franchise. To see part 1, check out our last episode. 

I'm joined by my podcast comrades from the Alberta Advantage: Clinton, Joël and Karen, for a deep dive into the classic Canadian and Calgarian comedy franchise FUBAR! It’s been nearly 20 years since the first FUBAR film (2002) introduced us to the endearing headbangers Terry and Dean. In our discussion we appreciate FUBAR’s depiction of working-class life and its wicked humour. And of course, we ponder what it really means to give'r.

This is the first of two episodes dedicated to the FUBAR franchise. Keep your eyes peeled for our next release when we discuss the sequel, FUBAR 2 (2010), and the TV series FUBAR: Age of Computer (2017).

I talk with author and journalist Marcello Di Cintio about taxi drivers and the working class's cultural visibility.

This is a clip from a longer interview. Find the full interview with Marcello here.

I talk to author and journalist Marcello Di Cintio about the people who drive cab for a living. He tells their stories in his fascinating new book, Driven: The Secret Lives of Taxi Drivers (Biblioasis Books, 2021).

I asked Leah Cameron, creator of the CBC Gem comedy The Communist's Daughter, about the politics of laughter.

On today's episode, I talk to ​Leah Cameron, a television writer in Toronto. She is the creator, director and head writer of The Communist’s Daughter, a comedy series loosely based on her left-wing family in Toronto in 1989, now available on CBC Gem.

This is episode 14 of Sweater Weather with Aaron Giovannone.

Tom Wayman, professor emeritus at the University of Calgary and the author of over 20 books, reads his poem, “O Calgary.” It’s a beautiful work in which the city becomes symbolic of a value system and a way of life under capitalism.

"O Calgary" was published in Poetry, the world's most prestigious English-language poetry publication, and it appears in Wayman's recent book, Watching a Man Break a Dog's Back (Harbour Publishing).

Why do we need an honest portrayal of work and employment in literature? What is the point of poetry? How has postmodernism affected arts and education?

Today we are visited by Tom Wayman, the author of more than 20 books of poetry and prose, as well as a professor emeritus at the University of Calgary. Today we talk about his award-winning collection of essays, If You’re Not Free at Work, Where Are You Free?: Literature and Social Change (Guernica, 2018). Tom also treats us to a reading of a couple of his beautiful poems.

This episode we’re visited by Radhika Desai, professor of political science at the University of Manitoba. She is the author and editor of several works on political economy, including Geopolitical Economy: After US Hegemony, Globalization and Empire (Pluto Press, 2013) as well as Revolutions: A Twenty-First Century Perspective, which was a special issue of Third World Quarterly in 2020, co-edited with her colleague Henry Heller.

How have neoliberal economies fared during the coronavirus crisis, compared to more planned economies? How does capitalism structure the geopolitics between states? What is the role of the US dollar? And as a bonus: we discuss the relationship of intellectuals to left politics, in reference to Prof. Desai's first book, Intellectuals and Socialism (1994).

This is episode 12 of Sweater Weather.

The early years after the collapse of the Soviet Union and the end of the Cold War produced a new consensus among western elites that it was now a good thing to do business with China and develop cultural relations. 

A fascinating film from 1990 illustrates this moment of history, Bethune: The Making of A Hero, starring Donald Sutherland as Norman Bethune, the real life Canadian communist doctor who died in China in 1939 providing medical aid to Mao’s 8th Army as it battled the invading Japanese. Bethune was a swash-buckling humanitarian who became a revered figure of the Chinese Revolution, and later a sanctified Canadian national hero, too.

This 18-million dollar movie was a co-production of Canadian and Chinese state partners, and was at the time the most expensive Canadian film ever produced. An ambitious but flawed film, the production was marred by a power struggle between the Canadians involved in the project, the film’s star, actor Donald Sutherland and its screenwriter, Ted Allan. I’ve recently written about Bethune: The Making of a Hero in a piece for Passage magazine titled “After the Cold War, China and Canada United to Honour Norman Bethune." https://readpassage.com/after-the-cold-war-china-and-canada-united-to-honour-norman-bethune/

Joining Sweater Weather to talk about Bethune: The Making of a Hero is Paul Jay, journalist, filmmaker, founder and host of theAnalysis.news, a video and audio current affairs show. He is past chair of the Documentary Organization of Canada, as well as a founding chair of the Hot Docs! Canadian International Documentary Festival. Paul is also the nephew of Ted Allan, the screenwriter of Bethune, and he offers a unique perspective on the film, as well as its political, economic and historical background.

This is part two of my discussion with Dr. Stephanie Ross, associate professor and director of the School of Labour Studies at McMaster University. She is author, co-author and co-editor of several works on Canadian labour and unions, including Building a Better World: An Introduction to the Labour Movement in Canada (Fernwood, 2015) and Labour Under Attack: Anti-Unionism in Canada (Fernwood, 2018).

In this second part of the interview, we talk about life within unions in more detail, especially about the inequalities that unions sometimes reproduce within themselves while protecting workers’ interests. Seniority is an example of this, a principle many unions have established to guide layoffs, pay, promotion, etc. Seniority is key in disrupting the bosses’ power to arbitrarily dismiss employees, but it also disproportionately impacts younger workers who are the least able to shoulder the cost of layoffs when they are downloaded onto them.

And as a couple of professors we can’t help but gab about the crazily unequal workplace that is the contemporary university, where faculty unions have tolerated or accepted differential tiers of employment—the distinction between tenured faculty and sessional/adjunct faculty. It’s a corrosive situation that undermines worker solidarity.